![]() ![]() ![]() But then there is a heart-melting performance of the Gluck-Sgambati ''Melodie'' from ''Orfeo ed Euridice'' as well as a sparkling take on Liszt's transcription of the Schubert song ''Das Wandern.'' The individuality of Rachmaninoff's phrasing shines as brightly as it did on the first Telarc disk. To be sure, there are also more than a few forgettable piano trifles. For those of us born too late to have experienced Rachmaninoff's memorable artistry and commanding virtuosity in person, these additions to his recorded legacy are irresistible. 1), notable for the enervated tempo of its first section. 5, and a curious reading of Chopin's Nocturne in F (Op. 31), a pensive perusal of Anton Rubinstein's Barcarolle No. The main attractions here are three works Rachmaninoff never recorded in another form: an assertive, technically dazzling account of Chopin's Scherzo in B flat minor (Op. Now Telarc has issued a second disk under the same title, this one containing Rachmaninoff performances of 16 short keyboard pieces by Bach, Mendelssohn, Paderewski, Schubert and others. ![]() ![]() ''And since Rachmaninoff was the most important artist on their roster, they edited his recordings with unusual care.'' ''The Ampico company wanted its reproducing-piano rolls to be as much like the original performance as possible,'' said Wayne Stahnke, a computer scientist and electrical engineer who developed the technology and produced the recording. The disk was widely hailed as taking roll transfer technology to a new level. In addition, most transfers of piano rolls to CD have been unsatisfactory, undermined by quirky imperfections in the instruments or the rolls themselves.īut last August, Telarc released ''A Window in Time,'' a CD drawn from the reproducing-piano rolls Rachmaninoff had made for the Ampico company from 1919 to 1929. Editors of rolls for the more advanced reproducing piano tinkered with whatever dynamic and rhythmic nuances of an artist's interpretation the instrument's pneumatic process might capture. Editors of rolls for the relatively primitive player piano equalized beats to a sort of metronomic consistency so that users could apply their own interpretive touches, with pedals and levers. Extra notes might be added and the whole passed off as the work of a single artist. And no wonder, given the technical hanky-panky that went into the process of creating them. CRITICS tend to be suspicious of piano rolls. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |